The McCord Museum in Montreal recently received a gift of a collection of more than 9000 photographs from Jean-Luc Allard and Lucie Surprenant. The images include work from 1030 photographers from the province of Quebec from the mid-1800s to the end of the last century. The collection’s contents span the range of historical photographic processes: daguerreotypes; tintypes; albumen prints in the form of cartes-de-visite, cabinet cards and stereographs; gelatin-silver print postcards; and other special formats like photographic jewellery.
Press release from McCord Museum
McCord Museum receives extraordinary donation of over 9,000 photographs
The McCord Museum has received an exceptional gift of over 9,000 photographs dating from the mid-19th to the late 20th century created by Quebec photography studios from across the province. The donation from Mr. Jean-Luc Allard has been granted ‘‘cultural property’’ status by the Canadian Cultural Property Export Review Board.
Composed of a wide variety of photographs, this extensive collection eloquently illustrates the production of Quebec photography studios and, at the same time, helps situate and illuminate the professional practice of photography in Quebec from the mid-19th to the late 20th century. The 1,030 photographers from around the province represented in this collection of images augment the list of amateur and professional artists active in the province, many of whom are lesser known to the general public. Among them are Ludger Côté from Montreal, John Thomas Lambly from Trois-Rivières and Quéry Frères from Quebec City, to name a few.
In addition to identifying more photographers, this donation is an incredible source of information on photographic processes. The different media and dimensions of the images illustrate the technological evolution of black and white photography from its beginnings: daguerreotypes, tintypes, albumen prints in the form of cartes-de-visite (calling cards), cabinet cards and stereographs, gelatin silver print postcards, and other special formats like photographic jewellery.
The thousands of portraits from photography studios located throughout the province provide an overview of a changing population over time and through the lenses of social class and region.
‘‘The Allard collection is an invaluable resource for expanding our knowledge of the history of photography in Quebec. The names and addresses of the various studios provide information about the profession of photographer, notably the place of women in this field. Jean-Luc Allard and his wife Lucie Surprenant have made an extremely generous gift and we are very appreciative,’’ notes Hélène Samson, Curator, Photography.
A retired chemistry teacher from Montreal’s Collège Jean-de-Brébeuf, Jean-Luc Allard began his collection in the early 1970s. Initially interested in postcards, he started collecting old photographs several years later, focussing on images with details of material culture like clothing, objects and furniture. In 2006, he and Jacques Poitras published a book entitled Les photographes québécois : la première liste officielle (1839-1950), which catalogued a large part of his collection. Estimated to be worth several hundred thousand dollars, the Allard collection required the McCord’s teams to spend approximately 3,000 hours studying, cataloguing, and storing each individual item, in accordance with professional museum practices.